
Bargello Museum rewards a trip built around beauty & photography.
The reason this exists beyond 'quieter than the Uffizi' is a specific confrontation: Donatello's bronze David — the first free-standing nude cast since antiquity, androgynous, faintly smiling, weirdly erotic — in the same building as his earlier, armoured marble David and Verrocchio's later one. You get to stand between three Davids and watch the Renaissance figure out the human body in real time, in a moody former-prison courtyard with almost no one else there. The honest catch: sculpture is a harder sell than painting and there's little interpretation, so it genuinely underwhelms anyone not already curious.